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Eufonie – Jaroměřice/R., Opera
Šabatová, Kristýna ; Hrůša, Petr (referee) ; Kiszka, Josef (advisor)
The subject of the diploma thesis was the conversion, reconstruction, revitalization and extension of the space and object of the "Opera" complex and the affected areas of the public space skeleton as a secondary core for artistic activities in the city and region. The town of Jaroměřice nad Rokytnou has a deep musical history, dating back to the Baroque period, when the Moravian nobleman Jan Adam of Questenberk lived here. Jaroměřice was a center of intense musical life, a theater was played here, where the public was also involved. Furthermore, the creation of the first Czech surviving opera On the Origin of Jaroměřice in Moravia, composed by František Antonín Václav Míča. In 2000, the musical spirit was followed by the Petr Dvorský Festival, which takes place in the Jaroměř Castle Gardens and adjacent villages. The proposed building consists of the existing Opera Hotel and the adjacent Department Store. The existing hotel complex is not fully utilized in the current situation looking for a solution. The department store has a similar problem, it does not fill its area sufficiently. Its location together with the shop is dominant due to the square. Between these two houses there is a significant alley from the station to the castle. The aim of the whole complex was to revive, beautify, brighten up and positively make the surroundings of the square and thus the whole city, district, region visible.
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Dance in Brno
Bala, Filip ; Maršíková, Hana (referee) ; Galeová, Nicol (advisor)
"Ideal contemporary dance theatre" is the research issue of the pre-diploma thesis, which was published in book form. The dissertation "Euphony | Movement | Space" deals with a prototype that also responds to the urban structure. Consequently, other issues have arisen from the specific solution. Not only because of the complexity of the given location but also because of the new vision of the functioning of the theatre world through the influence of autonomous technologies.
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Eufonie – Jaroměřice/R., Opera
Šabatová, Kristýna ; Hrůša, Petr (referee) ; Kiszka, Josef (advisor)
The subject of the diploma thesis was the conversion, reconstruction, revitalization and extension of the space and object of the "Opera" complex and the affected areas of the public space skeleton as a secondary core for artistic activities in the city and region. The town of Jaroměřice nad Rokytnou has a deep musical history, dating back to the Baroque period, when the Moravian nobleman Jan Adam of Questenberk lived here. Jaroměřice was a center of intense musical life, a theater was played here, where the public was also involved. Furthermore, the creation of the first Czech surviving opera On the Origin of Jaroměřice in Moravia, composed by František Antonín Václav Míča. In 2000, the musical spirit was followed by the Petr Dvorský Festival, which takes place in the Jaroměř Castle Gardens and adjacent villages. The proposed building consists of the existing Opera Hotel and the adjacent Department Store. The existing hotel complex is not fully utilized in the current situation looking for a solution. The department store has a similar problem, it does not fill its area sufficiently. Its location together with the shop is dominant due to the square. Between these two houses there is a significant alley from the station to the castle. The aim of the whole complex was to revive, beautify, brighten up and positively make the surroundings of the square and thus the whole city, district, region visible.
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Poetics of Holan's collections The Triumph of Death, The Breezing and The Arch
Enderlová, Hana ; Binar, Vladimír (advisor) ; Wiendl, Jan (referee)
This thesis analyzes the first two poetry collections by Vladimir Holan - Triumf smrti (1930, revision 1936, 1948) and Vanutí (1932). At first, it focuses on identifying their rhythmic structure, its constants and the successive transformations. Particular attention is given to reprocessing of collection Triumf smrti - in the analysis of its three variants to see, how did the Holan's conception of poetic rhythm developed and its relationship to semantics of poetic text and its transformations. Part of exploration is to determine the function of poetic rhythm constants in individual collections, accompanied by an attempt to demonstrate that the relationship of rhythm, euphony and instrumentation of verse and their interaction belongs to the basic components of Holan's lyricism in this period. Furthermore, the work deals with the semantics of these Holan's collections, especially analysis of the basic features of his metaphor and metonymy, their mutual relationship, changes of the metaphors into metonymy and overgrowth in the context of poetic text into symbols. The purpose of the work is to show that the essence of poetic semantics in these collections lies in the specificity and uniqueness of their poetics, from which it is inevitably born, grows and shapes.
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Poetics of Holan's collections The Triumph of Death, The Breezing and The Arch
Enderlová, Hana ; Binar, Vladimír (advisor) ; Wiendl, Jan (referee)
This thesis analyzes the first two poetry collections by Vladimir Holan - Triumf smrti (1930, revision 1936, 1948) and Vanutí (1932). At first, it focuses on identifying their rhythmic structure, its constants and the successive transformations. Particular attention is given to reprocessing of collection Triumf smrti - in the analysis of its three variants to see, how did the Holan's conception of poetic rhythm developed and its relationship to semantics of poetic text and its transformations. Part of exploration is to determine the function of poetic rhythm constants in individual collections, accompanied by an attempt to demonstrate that the relationship of rhythm, euphony and instrumentation of verse and their interaction belongs to the basic components of Holan's lyricism in this period. Furthermore, the work deals with the semantics of these Holan's collections, especially analysis of the basic features of his metaphor and metonymy, their mutual relationship, changes of the metaphors into metonymy and overgrowth in the context of poetic text into symbols. The purpose of the work is to show that the essence of poetic semantics in these collections lies in the specificity and uniqueness of their poetics, from which it is inevitably born, grows and shapes.
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